Bohol Tribune
Opinion

Amicus Curiae

Kuwentong Peyups

Atty. Dennis Gorecho

Music and drug war film   “Blue Room” bagged major  Cinemalaya awards

The film “Blue Room” bagged   major awards   for this year’s Cinemalaya  Independent Film Festival for its treatment of  music and the war on drugs.

“Blue Room” notched five awards, including Best Director  for Ma-an Asuncion Dagñalan; Soliman Cruz for  Best Supporting Actor;  Neil Daza for Best Cinematography, and Marxie Maolen Fadul for Best Production Design. It also won   the Special Jury Award.

It is a  rock and roll commentary film on youth, power, and privilege as it revolves around the story of a progressive indie rock band Rebel Rebel.

The film, in a way,  showed the link between music and drugs.  There are musicians who use drugs to augment their creativity. Some  fans, on the other hand, use drugs to intensify the pleasure they get from music.

But after their celebratory night at the local bar after   getting  their  biggest break at a prestigious local music festival, they were arrested for drug possession.

Instead of the standard procedures, they were hauled to the Blue Room, a VIP detention area where they can bribe their way out through rogue cops.

The  cast  includes Elijah Canlas,   Juan Karlos Labajo, , Harvey Bautista, Nourijune Hooshmand, and Keoni Jin.

Canlas is not a neophyte in Cinemalaya as he  previously appeared in  Sundalong Kanin (2014) and Edward (2019).

He then rose to prominence for his award-winning performance in Kalel, 15 where he received Best Actor awards at 43rd Gawad Urian Awards, 68th FAMAS Awards, 17th Asian Film Festival in Italy, and 16th Harlem International Film Festival in New York.

Director  Ma-an Asuncion-Dagñalan  said in an interview that her motivation in making films like Blue Room  is to tell the truth: “If we are ‘true’ to ourselves, we can grow and mature, learning from our mistakes. We can create a social bond with society if we are true to them.”

She added that inequality exists as long as prejudice comes from those in power who are on top of the social pyramid. Power has pros and cons in society – some use it to influence people to become a better individual, but some abuse it to bully or to be greedy against others.

For the police, they abuse their power by showing how entitled they are and by forcing others to accept their “authority” in society.

For the rich people or the moneybags, money is their power. They have all the means to turn things around.

One of the intriguing scenes  is the “secret cell” in a police station  where  the young musicians had  the traumatic experience of being victims  of “ tokhang-for-ransom”.

 Many of the scenes are  perhaps  related  to   real Oplan  Tokhang, the flagship anti-drugs program of the Duterte administration which has been criticized by local and international human rights groups.

These  groups  exposed a pattern of unlawful police conduct in these killings, designed to paint a veneer of legality over summary executions. Many of the  killings the police attribute to “vigilantes” are in fact death-squad-style extrajudicial executions by police and police agents.

On April 2017,   the  Commission on Human Rights (CHR), accompanied by press people,   discovered an unlawful secret detention facility hidden behind a bookshelf in a Manila police station  which was linked to Tokhang.

The facility housed a dozen men and women in atrocious, grossly overcrowded conditions. The detainees told CHR and journalists that police – who claimed the detainees were drug suspects – had abducted them and held them in the facility for a week without notifying families or lawyers.

Detainees said that inadequate lighting, ventilation, and toilet facilities forced them “to urinate and do bowel movements in plastic bags.”

Detainees alleged they were tortured by police who demanded bribes to secure their freedom.

Police denied  the allegations, insisting they are still processing detainees’ arrest notifications and refused CHR requests to free the detainees.

Three films on troubled  relationships and  shattered dreams  due to the   Mindanao conflict  likewise won  major awards.

“The Baseball Player” by  Carlo Obispo won as best film along with three other awards: best editing by Zig Dulay, best screenplay by Obispo, and best actor for  Tommy Alejandrino.

“12 Weeks” by Anna Isabelle Matutina won the Network for the Promotion of Asian Cinema (NETPAC)  award  along with best actress for Max Eigenmann.

For “Bula Sa Langit”,  Pepe Manikan  won the best sound design award.

The other winners for the full length films section  include:  Ruby Ruiz (Ginhawa)  as best supporting actress;  Isha Abubakar (Retirada) for best original music score;  and   “Kargo” by TM Malones as audience choice award.

Since 2005, the Cinemalaya has continued “to discover, encourage, and support the cinematic works of Filipino filmmakers that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity.”

(Peyups is the moniker of University of the Philippines. Atty. Dennis R. Gorecho heads the seafarers’ division of the Sapalo Velez Bundang Bulilan law offices. For comments, e-mail info@sapalovelez.com, or call 0917-5025808 or 0908-8665786.)

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